Surveys of national academic corpuses on the Western; Comparative studies of national academic corpuses. They will be reviewed by the scientific committee. In order to emancipate studies of the Western from discourses of American exceptionalism, this conference proposes to connect film genre studies with the recent field of transnational cinema.
As Hartman was born in the interwar period in Germany, spent World War II in rural England, and colm toibin essays for scholarships on to a brilliant postwar career in the United States, his legacy invites us to probe the geographical and historical reach of the interface of romanticism and war.
In recent film studies, the Western genre is still widely explored, understood, and constructed as an American genre despite overwhelming evidence of foreign production and global circulation since the invention of cinema.
Most presentations and papers will be in English. These various arguments seem to invite the following hypothesis: The conference wants to explore these and other questions through a sustained confrontation of the legacy of romanticism in the age of World Wars. As Romanticism developed at different moments and within different cultures in Europe, but also across the Atlantic, we welcome comparative studies, based on reception and translation.
Notification of acceptation will be sent to participants by May 1, Subverting philosophical conceptions, but also the Newtonian physics of time, Romantic writing thus creates its own sense of time, in its own terms, forms, and figures. Transnational cinema generally refers to films that cross national borders, as stories, productions, and colm toibin essays for scholarships both.
Apart from a number of sessions tailored by invited conveners, the conference will consist of sessions culled from the responses to the call for papers, two keynote lectures by Santanu Das and Paul K.
His stunning claim that somehow Wordsworth saved English culture from the disastrous ideologies that ravaged continental Europe in the twentieth century still deserves testing. This particular instance of legacies of violent conflict but also fraught peacemaking will be interrogated at a juncture in European history in which national and regional identities are in various ways on the frontline of political discussion once more, with consequences and outcomes that remain unclear.
Such reception studies can shed new light on the issue of American cultural imperialism.
More information available later at http: Abstracts of up to words along with a short biographical note should be sent to the conference organizers before 30 April Such processes and causes were predicated on challenges to established powers and mindsets, and hence on demands for change, that have had rich consequences in literature and the arts.
In addition to the circulation and reception of American Westerns abroad, one last area of transnational discussion of the Western is that of foreign productions. Of the various strands of socio-political memory associated with the period that this conference is designed to commemorate and ponder, some attention will be given to the developments marking the beginnings c but also the proclaimed end of the Northern Irish Troubles.
We want to showcase and discuss the impact of its defining causes, hopes and regrets on the creative imagination, preferably from a comparatist perspective.
Final papers will be considered for publication following a peer-review process. We will inform you about the acceptance of your proposal no later than 30 May Early submissions are encouraged. The American Western abroad: In doing so, studies of the Western strengthen the construction of an American exception that the genre—and the myth of the West it is grounded in—itself promoted.
Topics may include but are not limited to: The genre has been widely read within the confines of a national culture and cinema in the U. The organisers will welcome proposals for minute papers in English responding to the above.
Such critical work has enriched our understanding of romanticism and our appreciation of its planetary entanglements, but it also invites us to revisit cultural production in the war-torn long twentieth century that measures its distance from, and proximity to, romantic war-work.
That strain between reminiscence and prophecy also manifests itself in the multiple temporalities of Romantic fiction and performance. The following venues of investigation can be addressed: The extent to which non-American Westerns reinstate the idea of an exceptionally American genre even as they appropriate the genre remains to be assessed.
As indicated by the number in its title, this conference is the fourth in a series of academic events that reflect the ongoing concerns of the eponymous research group Relational Formsbased at CETAPS the Centre for English, Translation and Anglo-Portuguese Studies.
Quantitative studies on the exportation of American Westerns abroad are needed to specify the vague estimates presently available, as well as studies on the marketing strategies developed by studios to sell their products outside the United States. Some scholars point to more complex power relations at work in the circulation and reception of American Westerns.
Attention to the transfer of Western motifs and figures costumes, color schemes, songs and music, the use of low-angle shots and narrative montage to emphasize heroic feats, the advance of civilization, etc. What is the cultural impact of the fact that Britain was not involved in European wars between and excepting the Crimean War while casually waging World War as a Brexit Empire avant la lettre if neverand how does this affect cultural responses to twentieth- and indeed twenty-first-century World War across Europe and the globe?Booz Allen Hamilton Employees Email Directory and Other Information.
Notes: All info pulled off the open internet. Booz Allen appears to use a [email protected] email addressing scheme. Screening the Industrial City Saint Etienne, France, November Deadline for proposals: 31 January Cinema, an art of the masses yet also a very bourgeois art form, was born in the wake of industrialisation in the late nineteenth century.Download